ANNOUNCEMENTS:
WELCOME !!! This web is created and maintained by Dr. Chet-Yeng Loong, problems with this site, please e-mail: Chet-Yeng Loong, Ph.D. You need to download Real Play and Adobe to view videos and read PDF files. The links are posted at the bottom of this page. ENJOY!
Week 1, Aug 26, 9:10 - 10:50 a.m. Week 9, Oct. 21, 9:30 - 11:00 a.m.!!!
  • Introduction to Course 
  • Syllabus 
  • Organologies and basic musical terms    
  • Repertoire:
    Nishi, C. (2008). Na Mele O Na Keiki O Ka `Aina (The Songs of the Children of Our Land, II). Honolulu: YMCA. 
Concert #1 due – Japan  


Week 2, Sept. 2, 9:10 - 10:50 a.m. Week 10, Oct. 28, 8:00 - 9:40 a.m.!!!


Examine geography, history, and cultural identities of the state of Hawai`i.
  • Reading Assignment: 
  • Recording: 
    • Hawaiian chant and religious music Martin, L. J. (Ed.) (1997). Musics of Hawai`i: It all comes from the heart [CD#1 & 2]. Honolulu: State Foundation on Culture and the Arts Folk Art. (The Recording will be posted by next Monday)
  • `Ukulele Curiculum Project
Learn, develop and perform a repertoire of Korean materials for the public school and play folk instruments.
Integrate, adapt and perform Korean folk dances in class.
Individual Project #2 DUE- East Asia

Mid-Term Exam (Hawaiian, China, Japan, Korea) - Oct. 30-31, due Oct. 31, 11:59 p.m.. Please send your answers to turnitin.com

MId-Term

Mid-Term (Janice & Keane)
Week 3, Sept. 9, 9:10 - 10:50 a.m. Week 11, Nov. 4, 8:00 - 9:40 a.m.!!!
Recognize the function of music within Hawaiian social, ritual and cultural contents.   
  • `Ukulele Curriculum Project (cont.)

Examine the geography, history, and cultural identities of Malaysia and Indonesia.


Reading Assignment - will be posted online
Week 4, Sept. 16, 9:10 - 10:50 a.m. Week 12, Nov. 11 - NO CLASS
Week 13, Nov. 18, 
8:00 - 9:40 a.m.!!!
Guest speaker (Hawaiian culture)

   

Malaysia & Indonesian Repertoire

Malaysia & Indonesia CD




Week 5, Sept. 23, 9:10 - 10:50 a.m. Week 14, Nov. 25, 8:00 - 9:40 a.m.!!!


Individual Project #1 due – Hawaiian culture  
Please send your assignments to turnitin.com
  • `Ukulele Curr project
Geography, history, and cultural identities of China; recognize the function of music within Chinese social, ritual and cultural contexts.   


Philipines
Examine the geography, history, and cultural identities of the Philipines.

Philipino Web
     
Week 6, Sept. 30, 9:10 - 10:50 a.m. Week 15, Dec. 2, 8:45 - 10:50 a.m.!!!
`Ukulele Curr Project due

Learn, develop and perform a repertoire of Chinese materials for the public school. Integrate, adapt and perform Lion Dance ensemble and Chinese dances in class.   

Repertoire:
Concert Report #2 due – Southeast Asia

Repertoire: Philipino

Philipino Web


Week 7, Oct. 7, 9:10 - 10:50 a.m. Week 16, Dec. 9, 8:45 - 10:50 a.m.!!!


Examine the geography, history, and cultural identities of Japan. Recognize the function of music within Japanese social, ritual and cultural contents.

Reading Assignment:Japan & Korea, PDF file will be posted online.
Repertoire:
Sato, E., Shishido, L. (1980). Japanese children’s songs. Hawaii: Bilingual Education.

Polynesian
Examine the geography, history, and cultural identities of Polynenisian and Midway islands.

Repertoire:
Ladd, D. (1978). Samoan songs for children. Hawaii: Bilingual Education.


Recording:
Hawaiian chant and religious music
MMartin, L. J. (Ed.) (1997). Musics of Hawai`i: It all comes from the heart [CD#9 & 11]. Honolulu: State Fpundation on Culture and the Arts Folk Art.

DUE:
Resource Notebook

Individual Project #3 – SEA 

Dec. 12:
Concert Report #3 due – Hawaiian culture
Week 8, Oct. 14, 9:10 - 10:50 a.m. Week 17, Dec. 16

Recognize the function of Korean music within social, ritual and cultural contexts.


Wednesday, Final Exam, 9:00-11:00 a.m.

Final Written Exam, due 11:59 pm,  Dec. 14

Final Proficiencies:
`Ukulele, Singing, Instrument & Dance
Final Exam (
Philipines, Malaysia, Indonesia, Polynesian)
      
                                   (Real 8 player)
The materials used in connection with this course may be subject to copyright protection and are only for the use of students enrolled in this course,
for purposes associated with this course, and may not be retained or further disseminated

Questions, comments or problems with this site, E-mail: Chet-Yeng Loong, Ph.D.